Maria Campbell

Fine Artist & Designer

PwC Panto - Alice in Wonderland

Maria CampbellComment

And in a puff of glitter, sadly that’s my PwC Panto stint done for another year.


I know that I say this every year, but I continue to be blown away by the pure talent in the panto. It is so professional. It’s hard to believe that every part is done by amateurs: cast, wardrobe, choreography, directing, hair & makeup, staging, props and probably more that I’ve missed.


I am delighted that the panto actually went ahead this year, despite Covid. I missed it terribly last year and I’m now awaiting the inevitable panto blues to hit. Interestingly, this year I discovered that people who I thought were panto old hands were newbies in the same year as me - 2018. I learnt that I’m too old for clubbing (especially when I’m sober and only drinking water) and I still hate sticky floors! I also know that none of this would be possible for me without Cliff holding the fort at home and I’m very grateful to him for that.


I decided to do something different this year and joined the props team. I LOVED it. I put my new fibreglassing skills to use and made extra large carrots for the White Rabbit and even worked out how to make one vibrate! Who doesn’t need a vibrating carrot?! I lost myself in a cloud of polystyrene dust making mushrooms and this was all before we even got to the theatre. At the theatre, after a moment or two of panic not knowing when or where any of our amazing props were supposed to be, I soon got into the swing of things and enjoyed running about with all manner of things - massive feet, Jay’s beautiful huge crème egg, cakes, shaving foam, fabulous flamingo tails and those bl@@dy letters (as they will now fondly be remembered). And for those of you questioning my use of the word “running”… in true panto style, “oh yes I was”! Act 1 was manic for props but I wouldn’t have had it any other way. I had great fun writing notes for Alice & co on their clipboards, frantically setting up tea party tables with help from my favourite sleepy Dormouse and even sewed a spot on a Caterpillar. I laughed with old and new panto friends and realised that actually there is such a thing as a stupid question. It came from me during a moment of stressful madness to Camilla: “Is it a red or black spade we are looking for?” 😂 I still have no idea why it was always a spade staff that went missing.


It’s a great feeling to walk into a building and think “This is right. This is where I’m meant to be”. That’s what theatre does for me and to have the opportunity to bring some of the delight, wonder and joy of a theatre to so many children is something that I will always be grateful for. Every year #pwcpanto gives away over 8000 tickets to inner city schools and community groups, who otherwise would not have a chance to see live theatre. Hearing the excited screams and singing from the children as the curtain goes up on opening night is just wonderful and makes me grin from ear to ear, much like our beautiful Cheshire Cat.


As the curtain falls for another year, I leave you all with a quote from Lewis Carroll’s Alice in Wonderland that, for me, sums up panto: “There is a place, like no place on earth. A land full of wonder, mystery, and danger. Some say, to survive it, you need to be as mad as a hatter. Which, luckily, I am.”

Necklace of Days - Arla

Maria CampbellComment

I’m delighted to have taken part in “Necklace of Days” with Fiona Maher. Each artist creates a small artwork/piece of prose/text in response to the day that he/she has been nominated. It might be how the artist feels or something seen/experienced/encountered.

Making of "Magma"

Maria CampbellComment

The attached video shows the months of work that went into producing “Magma”. Thankfully for you, it has been reduced down to approximately 7 minutes with the aid of timelapse recording. The sound is just background music so there’s no need to listen with the sound on.

Have you ever wondered what needlefelting is?

Maria CampbellComment

It’s back to the time of year when I find myself engrossed in making Christmas decorations with wonderful memories of The Scottish Falsetto Sock Puppet Theatre doing Macbeth (https://youtu.be/AVwcjIEpqlE) - stab, stab, stab, deed! Crikey, I’m rambling on the first sentence - this is a record, even for me!

Anyway, back on track. Have you ever wondered how to needlefelt and why handmade goods can be so expensive? I have recorded myself needlefelting a Christmas Pudding in order to show you the process. It is recorded in timelapse so this is about 5 hours of work reduced to 4 minutes. In the video you will see seven different needles, all of which are used at different stages of the process. The biggest needles with the most barbs are used at the beginning of the process and the needles with the least barbs are used at the end for smoothing the piece of work. In short, when the needles are stabbed into the fleece the barbs catch the fibres and knit them together. The more you stab (hence my thoughts triggering to sock puppets and Macbeth) the more solid the piece becomes.

Why is it so expensive to buy handmade? As I said earlier, this Christmas Pudding took 5 hours to make. If I charge myself out at minimum wage (currently £9 per hour) I should be charging £45 plus the cost of materials. Would you pay £50 for a Christmas bauble? Nope. Neither would I! I have priced it at £12, knowing that some people will still think it’s too expensive, however, it means that once I have paid for materials, I have worked for £1.75 per hour. Shocking, huh?! Most artists and crafters often have to undersell unfortunately. Ultimately we don’t do it to make money, we do it because we love it. Yes, you can get similar items mass produced that cost less but I would urge you all to support local artists and local businesses by shopping local instead of supporting large mass producing companies. I can guarantee you that every one of us does a wee happy dance for each and every sale we make and pours a bit of love into each piece made.

This Pudding and other Christmas decorations are for sale on my Etsy site: https://etsy.me/2Ouh3HV and in “The Bank - of Dalkeith”.

Needlefelting a Christmas Pudding

The completed Christmas Pudding.

The completed Christmas Pudding.

This photo shows the tiny barbs on the needles.

This photo shows the tiny barbs on the needles.

I have coded my needles in order to easily differentiate them.

I have coded my needles in order to easily differentiate them.

Dalkeith Tolbooth - painting in timelapse

Maria CampbellComment

Dalkeith Arts commissioned ten local artists to each paint a panel. The panels depict six of the many women who were accused and executed for witchcraft in Dalkeith. The remaining four include a portrait of the local “witch pricker", and the last three are of iconic buildings in Dalkeith - The Watchtower, St Nicholas Buccleuch Church, and The Tolbooth (my painting).  The witch trials were at their peak in the 1600s and six real women's names were chosen to represent all of the women and men who were executed in Dalkeith.

I painted the Tolbooth in Dalkeith which is the site of the last hanging on 1 March 1827 and a building for Dalkeith’s law and order with a courtroom, prison cells, and a dungeon known as the ‘’black hole’’.

The video shows the panel being painted from start to finish. I began with a reproduction of a newspaper article from 1827 reporting about the hanging of William Thomson in Dalkeith on 1st March...

My involvement in recent Dalkeith Arts projects

Maria Campbell1 Comment

It has been an incredibly busy and exciting period for me and Dalkeith Arts.

When Mary, our Chairwoman, asked me to become Secretary I was delighted to accept.

We designed and implemented our new modern logo just in time to be released on our new website: https://www.dalkeitharts.co.uk/

Dalkeith Arts, together with One Dalkeith, combined art and history to create a beautiful visual memorial of a horrible epoch in the town's history. We commissioned ten local artists to each paint a panel. The panels depict six of the many women who were accused and executed for witchcraft in Dalkeith. The remaining four include a portrait of the local “witch pricker", and the last three are of iconic buildings in Dalkeith - The Watchtower, St Nicholas Buccleuch Church, and The Tolbooth (my painting - more to follow). The witch trials were at their peak in the 1600s and six real women's names were chosen to represent all of the women and men who were executed in Dalkeith. We have been astounded at the interest and publicity for this project. Here are some of the articles:

https://wildhunt.org/2020/10/dalkeith-artists-give-faces-to-accused-witches-in-scotland.html

https://www.scotsman.com/heritage-and-retro/heritage/portraits-scottish-witches-revealed-2988070

https://www.bbc.co.uk/sounds/play/m000n6rt Tune into BBC Radio 4 “The World tonight show“. Mary Blair, Margaret Bitici and I were interviewed by Paul Moss. If you don’t want to listen to the whole show we are on 38 minutes in.

I really enjoyed talking to the general public as the panels were being erected on the outside of the One Dalkeith building. In a time of disruption caused by Covid-19, it is wonderful to be involved with the creation of an art exhibition that the public can see without having to be inside. I like that we can spread a bit of happiness and increase knowledge of the town’s history through art, in what is currently a difficult period. Given the current economic hardships, it is also important to me that the exhibition is free. I find myself thinking about these women a lot now and the persecution they endured. I have no doubt that had I lived in those times, I too would be executed for being a witch due to my outspoken-ness, affinity to animals, and love of nature. I often find myself doing things that I have no doubt others would consider strange in the name of art. For example, last week I was wandering around our estate with my children spraying varnish on dandelion clocks (in order to preserve them in resin) whilst telling nosey dogs to leave my dandelions alone! I am sure this wouldn’t help perceptions of me if I was living in the 1600s, and before anybody says anything, yes I do know spray varnish wasn’t available in the 1600s!

Roll on another week and we are painting bees on the planters in Jarnac Court just because we can and want to brighten up the area we live in.

We also have our work in “The Bank - of Dalkeith”. It is definitely a good place to visit in Dalkeith for cake, coffee, gifts and pampering.

Dalkeith Arts new logo

Dalkeith Arts new logo

Just finished my Tolbooth panel

Just finished my Tolbooth panel

Information panel for the Memoral panels

Information panel for the Memoral panels

My Tolbooth painting in final position

My Tolbooth painting in final position

Midlothian Advertiser article 1/10/2020

Midlothian Advertiser article 1/10/2020

Painting bees in Jarnac Court, Dalkeith

Painting bees in Jarnac Court, Dalkeith

See Dalkeith Arts work in “The Bank of Dalkeith”

See Dalkeith Arts work in “The Bank of Dalkeith”

Do you want to design a mosaic?

Maria CampbellComment

Now that schools are back and we are getting used to another “new normal” caused by Covid 19, Dalkeith Arts are back to focusing on “making Woodburn Primary School playground fabulous”.  We will be splitting this project into parts and would be delighted to get the community involved in some of the designs.

For now, we are looking for ideas for “mosaics” with a board size of 120 x 60 cm. Mosaics don’t have to be done in the traditional sense using ceramics or with traditional subject matter. You could use stones, sea glass, buttons or crockery. The examples below include some these. Bear in mind this is for children and the materials used should not be sharp.

You may wish to include WPS Learning Skills characters:

Caring Cat, Have a go Hedgehog, Investigation Iguana, Teamwork Tarantula, Motivation Monkey, Creative Chameleon, Perseverance Python, Concentration Cuckoo, Determination Dragonfly

WPS parent committee will select the final 4 designs to be installed on the school walls.  If your design is selected, we will be in touch to discuss if you want to create it personally or if Dalkeith Arts should create it.  Materials will be supplied.

Please submit all designs to Dalkeith Arts by 6 October 2020. Feel free to involve children in your ideas and contact us should you have any queries. 

Email: dalkeitharts1@gmail.com

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Do you fancy designing a “posing wall”?

Maria CampbellComment

Now that schools are back and we are getting used to another “new normal” caused by Covid 19, Dalkeith Arts are back to focusing on “making Woodburn Primary School playground fabulous”.  We will be splitting this project into parts and would be delighted to get the community involved in some of the designs.

For now, we are looking for ideas for a “posing wall”. WPS parent committee will select the final 4 designs to be painted on the school walls. If your design is selected, we will be in touch to discuss if you want to paint it personally or if Dalkeith Arts should paint it.

A “posing wall” is essentially an image that is used for people posing in front of, generally to take photos. We have included examples below. You may wish to include WPS Learning Skills characters:

Caring Cat, Have a go Hedgehog, Investigation Iguana, Teamwork Tarantula, Motivation Monkey, Creative Chameleon, Perseverance Python, Concentration Cuckoo, Determination Dragonfly

Please submit all designs to Dalkeith Arts by 26 September 2020. Feel free to involve children in your ideas and contact us should you have any queries.

Email: dalkeitharts1@gmail.com

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My entry for The John Byrne Award

Maria CampbellComment

I’m very excited to announce that my entry for The John Byrne Award is now live. Dad, if you are up there watching, I hope you like it.

http://www.johnbyrneaward.org.uk/entries/is-physical-death-the-end-of-life/

Is physical death the end of life?

I recently lost my Dad to cancer and found myself screaming, struggling to breathe in heavy air charged with emotion, tears streaming down my face, calling out "Dad, are you there?  Show me a sign".

I asked the universe - When we die are we at peace? Freed from pain?  Free to enjoy earthly pursuits in a new eternity?  Or is there nothingness, no further experience, only to live on vicariously in the memories of those who loved us?

Silence.  Then creativity stirred.  I took my Dad's old t-shirt; willow and flowers from his funeral bouquets; heather and thistle from the hills he used to roam.  

The channelling of my Dad, my grief, my memories, my hope for his future resulted in "Gone Fishing".  My desire that he should be at peace, doing what he loved, forever.  As I consider his existence I see him grinning and laughing with his infamous shoulder shake, he finally answers "I’ve given you plenty signs. You don't recognise them! ".

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Gairloch - painting in timelapse

Maria CampbellComment

This is a video of me painting “Gairloch” from start to finish. It’s the first time I’ve filmed myself painting and I found it really interesting to see how much layering actually goes into a single painting.

A timelapse video of me painting a commission, "Gairloch". 25 hours work in 5 mins.

Do you want to paint a playground?

Maria CampbellComment

I am delighted to announce that Dalkeith Arts have won the proposal for the Woodburn Primary School (WPS) playground renovation [cue excited squeals and my happy dance!].  I am now calling for assistance from members of Dalkeith Arts...

What have we agreed to implement?

4 x chalkboards

4 x mosaics

4 x wall posing images

5 x repainting existing image on tarmac

4 x hydrochromic paint images on tarmac

3 x new paint images on tarmac

How can I get involved?

1. Join Dalkeith Arts sub-committee for WPS Playground Renovation

This includes:

  • creating a project plan and timeline

  • arranging and contributing to team meetings

  • monitoring budget

  • clearing designs with WPS Parent Partnership (WPSPP)

  • general organising of the project

2. Submit a design to be painted/produced as a mosaic

Brief will be provided.

3. Take part in implementing the designs in the playground

4. All of the above

What other key details do I need to know?

1. You will have no interaction with the pupils

2. The implementation will take place during school holidays and weekends

3.  I work full time so all meetings will be in the evenings or at the weekend

4. What on earth is hydrochromic paint?

This paint can be applied as standard paint and appears semi transparent. Once dry, the paint appears as a solid white colour; but when water is applied to the surface the paint becomes transparent to reveal whatever is behind. Once dried again, the paint returns to the solid white colour.  

Sounds fantastic!  How do I get involved or find out more information?

Please complete the Google Form below.  If you are having issues email dalkeitharts1@gmail.com.

https://forms.gle/PiZbGoZ18NKdHALZ6  

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The Boy, the Mole, the Fox and the Horse

Maria CampbellComment

What a fabulous book by Charlie Mackesy! I bought this book purely because I loved the illustrations. I find the variation of line and mark making inspiring and full of depth. I have finally got around to reading it and it is just a beautiful book in its entirety. There are so many messages that resonate with me so I thought I would leave a few pages here for me to refer back to whenever I want to. Thank you Charlie Mackesy for following your dreams and encouraging everyone else to do the same. ☺️

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Tutoring for Dalkeith Arts

Maria CampbellComment

I am honoured to be given the opportunity to cover Newton Ross’ Saturday classes for him over the next 3 months.  I originally thought I would focus on acrylic painting, however, as I was researching for another project I began to wonder if, in this digital age, drawing has become a forgotten art?  I firmly believe that drawing has many benefits - stress relief, mindfulness and improved co-ordination, communication and memory. I often find myself doodling to help with problem solving. I believe that anyone can draw (despite my sisters objections!) but we have perhaps lost the confidence we had as children and forgotten the joy of creation.  We become self critical as adults. For these reasons I want to get back to basics with drawing - as much for myself as everyone else. The course is designed as an introduction to drawing, with exercises to simply relax, and draw. As the course progresses, the emphasis will shift onto careful observation through line, shape, tone, pattern and composition.  You can attend as many or as few of the classes as you want as each class can also be stand alone. This class is for adults who have thus far been too terrified to pick up a pencil, i.e. for anyone who has NEVER done drawing before, or for more experienced artists who would like a refresher or just some “me” time. These sessions will have limited capacity so get in touch with Dalkeith Arts ASAP if you would like a place. 

https://m.facebook.com/DalkeithArtsnCrafts/

Logistics:

10am - 12.30pm in Dalkeith Arts Centre, £12pp per class.

Sat 22nd Feb 2020

Sat 28th March 2020

Sat 25th April 2020

You will need:

A smile and enthusiasm!

Sketch pad/surface to draw on

Pencils - a mix, 

Conte chalk (black or dark colour).

£12 payment.

We will provide some materials and tea/coffee

Sat 22nd Feb - Line and Mark Making 

  • 10 mins - fee collection/set up

  • 15 mins - introductions and icebreaker: Inspiration through Music

  • Speed Drawing - 1 min, 2 min, 5 min, 12 mins

  • 90 mins - Indian ink and blotting paper drawing

  • 15 mins - review work and discuss

Further reading (if you wish):

Sat 28th March - Tone and Form

  • 10 mins - fee collection/set up

  • 20 mins - introductions and icebreaker - Chiaroscuro

  • 20 mins - pointillism with needles

  • 85 mins - Tone, Tear & Stick - creating images with varying tones of paper

  • 15 mins - review work and discuss

Further reading (if you wish):

Sat 25th April - Composition, Perspective and Viewpoint

Each person to bring in one object to create an overall still life for the whole group. 

  • 10 mins - fee collection/set up

  • 15 mins - introductions and icebreaker - Worm’s eye/Bird’s eye view

  • 110 mins - still life incorporating the following (with prior weeks learning if you attended):

    • Rule of odds

    • Rule of thirds

    • Cropping

    • Vanishing point

    • Isometric/Axonometric

  • 15 mins - review work and discuss

Further reading (if you wish):

I look forward to welcoming you.

Maria

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